Artistry In Dance .... 22st Season
What is Being Said About ...
 

              
      651-222-7919                                                                                                  Official School of Ballet Minnesota                                                   
                                                                               249 East 4th Street, St Paul, MN 55101         
                                                                                651-290-0513        
 

Contact:
EMAIL

BMN: 651-222-7919
CBA: 651-290-0513

249 East Fourth Street,
St Paul, Minnesota, 55101




MISSION:
Ballet Minnesota is dedicated
to creating and sharing
artistry in dance
through public presentations
and education.



BMN Executive Director:
Cynthia Betz
651-222-7919


BMN Artistic Director
CBA Co-director
Andrew Rist
Email

651-290-0513

CBA School Director
:
Cheryl Rist

Grant writer:
Art Penfield

Production manager:
Jim Arnold

Board President:
Lisa Gray


Volunteer Coordiator:
Mary Klein


Consultant Physical Therapist :
Maryann Johnson

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REVIEWS / ARTICLES

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NUTCRACKER REVIEW
Pioneer Press

Posted on Thu, Dec. 14, 2006

'Classic Nutcracker' is rich, vibrant, entertaining
BY LINDA SHAPIRO

  

  "Ballet Minnesota's Classic Nutcracker" wraps the stage of the O'Shaughnessy like a homemade afghan with intricate patterns and rich, vibrant colors. It offers warmth and family feeling. And if it occasionally drops a few stitches, the overall effect is spirited and highly entertaining.
     The first act Christmas party in the 19th century Silberhaus drawing room bristles with celebration as elegant adults, adorable children, bustling maids and dancing toys (sometimes in ragged unison) swirl about in lively, looping patterns. Godfather Drosselmeyer, played with sinister jollity by Robert Cleary, distributes toys to the delighted children, including a spiffy Nutcracker for Clara Silberhaus.
     Freezing the action at various times during the festivities and adding pulsating strobe lights is a terrific way to foreshadow the menacing scene that takes place after midnight, when Clara sneaks downstairs to play with her beloved Nutcracker. She is soon surrounded by frolicsome little mice and red-eyed rats, who are quickly dispatched by the Nutcracker and his crack regiment in a battle scene marked by carefully orchestrated mayhem. The victorious Nutcracker, transformed into a handsome young officer, whisks Clara off to the Land of the Sugar Plum Fairy with help from swirling snowflakes and a whole cadre of vivacious little angels.
     Andrew Rist's choreography for the snowflakes is fast and brittle - more like a blizzard than a soft, lyrical snowfall - and the ensemble often seems to be racing to keep up with the deluge of steps. More successful is his ravishing waltz of the Flowers in Act II, where lithe blossoms melt in and out of kaleidoscopic patterns with unaffected ease, led by Erin Warn as a prize-winning rose.
     Once in the castle of the Sugar Plum Fairy, Clara and the Nutcracker (danced with vitality and élan by Kathleen Schaefer and Allen Gregory) are entertained by dances from many lands. These include a saucy "Carmen"-flavored Spanish; a robust Russian; and a piquant Chinese variation with spinning parasols, a dragon, and a smoke-belching demon.
     Most satisfying of all is the pas de deux between the Sugar Plum Fairy and her Cavalier, performed with regal aplomb by former Bolshoi Ballet soloist Oksana Konobeyeva and Alexey Agudin of American Ballet Theater. Aside from dazzling dancing, the two exhibit an ardent warmth and generosity of spirit that could serve as a model for the budding Clara and her faithful Nutcracker.
     Cheryl Rist's imaginative costumes and Mary Novodvorsky's richly inventive sets greatly enhanced this animated production.

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E-Mail:
' Giselle' & 17th Annual Minnesota Dance Festival
        
April 29 - May 1, 2005

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Just a quick note to say how well done the program was last Friday night. The choreography and performance was wonderful for At the Museum: quite doable for the kids and plenty of creativity for the audience to appreciate. The Katha Dance Theatre was a treat for the senses. Giselle was great fun, and kudos to Oksana Konobeyeva for a very solid performance in the lead role.  It is great to see this level of dancing from a local company.  Congratulations!  "               - Jim Petersen: Red Wing, audience member -

"I saw MDF last night (Friday) and it was fantastic!  Giselle was sooooooooooooo beautiful.  Dimitry and Oksanna painted the most heartfelt story.  This show allowed them to act -- to a depth they haven't been given in other shows for Ballet Minnesota.  It was an honor to watch how they could take a deep emotion and express it so exquisitely and through the body alone.  So sad that not more of the Twin Cities could see this passion, this beauty.  The casting was also excellent.  Please tell your dancers that we are enriched by the performances."              - Annette Scotti -

"It was a great show and your organization made it greater. Congrats. "         - Garvin Jellison -

"All the best to the opening of Minnesota Dance Festival.  What a grand undertaking."   - Rita Mustaphi, Artistic Director, Katha Dance Theatre -    Katha Dance Theatre was one of the guests on MDF17

"The dance festival was wonderful!  Thank you so much for again thinking of us and including us in this special day. I think this year the students were torn between ballet (Giselle & At the Museum) and tap (Keane Sense of Rhythm) as their favorite."          - Matt Dahl: teacher who brought students to see the Friday morning performance for students only. -

I had the pleasure of attending the April 30 evening performance of the Minnesota Dance Festival. It was my introduction to ballet and a wonderful experience. "Giselle" was passionate and emotionally moving, and watching the paintings come to life in "At the Museum" was a delight. The dedication these dancers have for their art is obvious. I look forward to attending other performances in the future.      - Dave Schultz, new audience member -

I just wanted to send you an email regarding the recent dance festival (april 2005).  What an impressive evening!  My daughters and I have been coming to the Nutcracker and the Spring performance for quite a few years.  This performance was one of our favorites.  The museum dance was just delightful.  My younger daughter was on the edge of her seat mesmerized. It is such a treat for us to come to your performances.  I just wanted to let you know how much we enjoy it.      - Claire Smith, audience member


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St Paul Pioneer Press
  
Friday, May 16, 2008

There's no better time to splurge on a Rist watch

               Linda Shapiro
: special to the Pioneer Press

      Andrew Rist wants to make sure audiences who come to see Ballet Minnesota also get a taste of the feast of dance available in the Twin Cities. For 20 years, he has produced a Minnesota Dance Festival each spring that includes ballets by his company (Ballet Minnesota) and many other terpsichorean treats.
     "Ticket sales for the festival doubled from 2006 to 2007, so I guess audiences are beginning to know who we are and like what we do," says Rist.
     Ballet Minnesota and its school, the Classical Ballet Academy of Minnesota under the direction of Rist's wife, Cheryl, will celebrate their 20th anniversary this year with a full-length version of that classic of classics, "Swan Lake", and a popular children's ballet "Elfin" (Elfan). In addition, a Saturday showcase will offer excerpts from "Swan Lake" as well as works by local artists performing modern, Spanish and African dance.
     A special Metro Area Dance Showcase on Sunday will feature students from area dance schools. "We take the first 13 schools who call in and give them access to the Fitzgerald stage and a lighting designer. "They perform a piece and then get to talk about their school." says Rist. "It's the one time each year that they come together not trying to compete with one another,"
     A major production like the four-act "Swan Lake" takes months to prepare and lots of resources -- from numerous talented dancers to sumptuous costumes and sets,. While Classical Ballet Academy advanced dancers form the core (or corps) of the ballet, the Rists import professional dancers like Oksana Konobeyeva, formerly of the Bolshoi Ballet, and Ramon Theilen, formerly of the Dance Theater of Harlem, to perform the major roles -- an enchanted Swan Queen and the prince who falls in love with her.
     For the Rists, it's a labor of love that keeps them multitasking for most of the year: Cheryl mounted the ballet (Swan Lake) in 2007 and designed the costumes. This year, she says, she has had a chance to make it even better,
     "The great classical ballets are frequently excerpted, and seeing even a part of 'Swan Lake' is always a treat," she says. "But the full-length story is so important!. An excerpt is like cutting out a detail from a beautiful and complex painting."
     Familiar with several different versions of "Swan Lake," Rist (Cheryl) chose the choreography she thinks is most effective for each section, sometimes modifying it or adding a little "spice," as she calls it. " I like everyone in the background of large scenes to have a story. So, while the prince and princess are dancing, a man might be playing the lute behind them, or a young woman in love sneaks up on her boyfriend and covers his eyes with her hands," she says.
     One of Rist's greatest assets is her attention to detail, which includes her ability to create costumes that move with the performers. "As a dancer, I have a step forward on designing costumes,. I know how a costume should feel, how it can enhance the dancing," she says.
     But "Swan Lake" is about more than beautiful moves and elegant tutus. Rist works hard to make the dancers understand and embody the central story of the ballet.
     "Every time I reset a ballet, I learn something about life," she says. "For instance, the Swan Queen commits suicide to save her fellow swans. I ask the dancers to visualize themselves as a society that is threatened. As they watch their leader implode on herself, they need to realize that she's sacrificing her life to save them.
     "I want the dancers to be aware that their art is a tool to express emotion."





St Paul Pioneer Press  Thursday, May 17, 2001

Festival to let troupes, schools put best feet forward

               Matt Peiken : staff writer, St Paul Pioneer Press

      For all the dance in the Twin Cities, Andrew Rist doesn't see much of the community supposedly attached to it. His annual Minnesota Dance Festival, starting its 13th run today, is as much a celebration for insiders as it is a public showcase.
     More than a dozen dance schools are showing their best steps to one another today at St Paul's Fitzgerald Theater. Six ethnic, modern and ballet companies, including Rist's Ballet Minnesota, perform Friday and Saturday.    "All these independent companies are trying to get students and compete for audiences and grant money, but this is a neutral ground." says Rist, who runs his school and company from St Paul's Lowertown. The festival, he says, paints a bigger picture for current students of dance and welcomes novices and outsiders to the insular dance scene.
     "I think there will be some element of competition - everyone wants to put their best foot forward," he says. "But I've been to festivals at other parts of the country, and the competition is overshadowed by the coming-together of everybody.
     Staging modern work this weekend are Precipice Dance Company of Minneapolis, Vox Medusa Dance Company of Apple Valley, and Ressl Dance! of Duluth. Also performing are the Ukrainian-American Dance Company (Cheremosh) and a Tibetan dance group, both from Minneapolis.
     Ballet Minnesota has the classical realm to itself, along with the festival's marquee attraction. Oksana Konobeyeva, a Russian ballerina with the Bolshoi Ballet and American Ballet Theater among her credits, stars in a movement from "La Bayadere," a 19th-century ballet by the choreographer of "Swan Lake". Rist calls this movement "one of the most impressive scenes in all of ballet."
     Konobeyeva's presence is a psychological and spiritual charge for his dancers, Rist says, but he's more excited by the dance schools on the opening-day program.
     "I can't tell you how important this is to the festival." he says. "Just getting them here is a big step, because people are apprehensive, and they don't know if there are strings attached. But at the schools come down, hopefully they'll bring people with them, an the festival will grow."
     The festival is holding dance classes Saturday morning and afternoon at the Fitzgerald Theater, and Rist wants to create a street scene in front of the venue to showcase arts that influence dance.
    Kristin Freya, founder and artistic director of Vox Medusa, worked with a metal sculptor, video artist, electronic musicain, opera singer and spoken-word performer to create her newest piece, "Air". Despite trimming it from 30 minutes to 10 to fit into the festival, Freya felt honored by Rist's invitation to perform.
     "It's nice to have a really beautiful, pristine theater to perform work and not have it be such an intimate enviorment all the time," she says. "I work with alot of artists, and I love to collaborate, and the city is not that big, and the dance community is finding itself. We really should know and support each other.



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E-Mails
'Nutcracker'

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Recently, while on a visit to Minneapolis from California, my son took my wife and myself to St. Catherine's (O'Shaughnessy Auditorium) for your production of the Nutcracker.  We've seen many productions over the years in San Francisco, Seattle, and elsewhere, as it is a family tradition.    Seattle had a superb production, what with Maurice Sendak's sets, and the production was very elaborate, but it couldn't hold a candle to Ballet Minnesota's production.  The dancers were superb, the costumes and sets were terrific, but the energy and humor brought one into the story, and it was the most entertaining production I've ever seen.     Thank you for a very enjoyable evening, and good luck in the future. You have a winner, and I wish you well in the New Year."                -  F.X. Radnich, California -

 "I just saw Ballet Minnesota's performance of The Nutcracker this past Friday night at O'Shaughnessy auditorium. It was a fabulous performance and I left feeling quite proud that we have such a good ballet company here." 
        -  Tamara Lee, Maplewood -

Thank you so much for your student performance of the "Nutcracker". Our group so enjoys and looks forward to this yearly event. If it wasn't for the affordability of Ballet Minnesota (student) performances, many of our students would not have an oppourtunity to see the fine art of dance in person.              - Cheryl White, homeschool teacher -

Thank you so much for yet another year of the Nutcracker performances. It was a truly enchanting experience for my children and enriching for adults and children alike.
             - Annmarie Kirsch, St Anthony -
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Article:    Pioneer Press
"Here's Proof That Dance Has A Foothold In The Cities
    by Linda Shapiro               Thursday, April 20, 2006

     Dance aficionados across the country have long hailed the Twin Cities dance scene as second only to New York City for its vibrancy and diversity,
     If you need proof, there's no better time to find it than today through the end of the month. Arean dancers are coming out to celebrate National Dance Week with everything from ballet to classical Indian to cutting edge modern dance in Minneapolis. In St Paul, there Ballet Minnesota's 18th Annual Minnesota Dance Festival which wraps up with hundreds, maybe thousands of dancers performing April 30 on the street downtown.
     Twin Cities National Dance Week kicks off with a twentieth-anniversary celebration of Patrick's Cabaret, an experimental haven for local artists where anything goes. Walker Art Center brings an international flavor to the celebration with "Forgeries, Love and Other Matters," a dance-theater duet by Belgium based Meg Stuart and Monteal's Benoit Lachambre that takes place atop a hill, literally created onstage. The Southern Theater's "Buckets and Tap Shoes" features percusive rhythm in every conceivable form, while Bandh at the University of Minnesota, a contemporary take on classical Indian dance, celebrates the power of women. Kinetic Kitchen cooks up a spicy blend of work by emerging choreographers, including the hot new company Black Label Dance. And two of the Twin Cities most enjoyable performers, Judith Howard and Susan Scalf, will show works in progress at "9'x22': A Dance Lab" at Bryant Lake Bowl.
     The action then moves across the river April 28-30 for the 18th Minnesota Dance Festival. Performances include Ballet Minnesota's classic 'Giselle' and a showcase of regional dance companies at the Fitzgerald Theater. The festival culminates on Exchange Street in front of the Fitz, where dancers from all over Minnesota will kick up their collective heels to David Bowie's and Mick Jagger's rendition of "Dancing in the Streets." A rocking finale to the dance celebration

     Synopsis: 18th Minnesota Dance Festival showcases performances by Ethnic Dance Theater, Kanopy Dance Company, Balelt Minnesota and others from the region. Throughout the weekend, dancers will present works reflecting diverse styles and cultures. Ballet Minnesota will perform the romantic classic "Giselle" with guest artists Oksana Konobeyeva (former soloist with Russia's Bolshoi Ballet Theater) and Davis Robertson of New York.
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Nutcracker Press


 Pioneer Press
"Choreographer Andrew Rist's classic interpretation focuses on telling the story through the dynamic flow of the dancing.  Notable for its stunning design and energetic performances, this "Nutcracker" makes the children a vital part of the story. "

Star Tribune
"Ballet Minnesota Energizes a Classic"
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Borcht Arts Magazine
"This radiant production brought the spirit of Christmas thundering back."


E-Mail:
' Giselle' & 18th Annual Minnesota Dance Festival
April 28 - 30, 2006

" I think this was one of the best festivals that Ballet Minnesota has ever done! The comments from patrons regarding "Giselle" were glowing! It was a pleaseure to work with you all and I look forward to next spring!

Jude Mitchell
Audience Services Supervisor
The Fitzgerald Theater | Minnesota Public Radio
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